Ain’t Afraid To Live: Buy The Damn Concert Tickets


By Ryan Hilligoss, May 20, 2017

Life Is Short, Even In It’s Longest Days

I’m sitting at my local coffee shop looking out the window at the passing clouds as the sun comes out after a rainy, cold morning which cancelled our baseball games for today. Nothing sadder than a baseball rain out. Your hopes are up for a day of baseball and all the joys that come with it, watching young kids give it their all on the field for a few hours. Well, there are much sadder things in life, I know, there are many, too many to count sometimes.

As I type,  I know my mother is 300 miles away, suffering from Parkinson’s disease while my father does the best he can to help her get through daily life. I just ended a phone call with her in which we had our normal conversation that we’ve had thousands of times. What are you doing? Not much you? What’s the weather there.? Rainy and cold here, how about there? What are you up today, how are the kids? What day are you coming home next weekend? Sunday. 30 seconds pass by. What day are you coming home next weekend? I’ll be home Sunday mom and the kids are coming with me. That’s good. Yes it is. It comes and goes each week, each day, each hour. Sometimes it’s OK, and others her memory come and goes. She gets lost a little in time, usually the days of the week and the season of the year. But the next minute she’s fine and talking about the latest news. Her sense of time, much like the clouds overhead, and life in general, is transient and ever moving, ever changing without any help from you or I.

The last few years have not been pleasant. My father in law passed away unexpectedly. My mother in law was in a nursing home for a few years before passing in December. My spouse has had many serious health issues. My father had to have emergency heart surgery to repair clogged arteries. I had a blood clot in my leg that was luckily found by my doctor in time, avoiding what could have been the end for me if I had waited much longer. And tragically, I lost my brother Sean nearly two years ago, passing away from diabetic ketoacidosis, leaving  behind two young daughters who won’t have much to remember about their dad as the years pass. With each event, what is important in life came into focus, only to be followed by the next thing and the next, to where you become too defeated, worn down from stress and hanging on the best you can, just doing the day to day stuff to get by the best you can.

I’m Not Afraid To Live

Sometimes happy accidents happen in life, usually for a good reason., when we least expect them. Recently, a new/old friend of mine, gave me some very helpful words in the form of lyrics from U2’s Kite, “I’m not afraid to die/I’m not afraid to live/And when I’m flat on my back/I hope to feel like I did.” The events I enumerated above are very personal, but not things I haven’t already shared with many. And I know what I have endured has not been mine alone, all of them effecting countless others in more direct and profound ways. My problems are not singular. All who walk the earth suffer similar losses, in ways small and large. Our tragedies are tempered by the knowledge that for the most part, we’ve lived a blessed life, something that billions around the world live without on a daily basis. A roof over my head, shoes on my feet, clean water, children, family and friends, good health, more food than I need, entertainment, earthly possessions and the ability walk into a store at any moment and get anything I want or need.

But I also know, based on genetics and family history, I’ve probably lived half my life. 40 years await me down the road and I plan to squeeze as much as I can out of the days remaining, to live deeply and suck the marrow from life as Henry David Thoreau wrote so long ago. I want to listen to as much good music as I can. I want to go to as many concerts as I can given limitations of money and time and geography. I want to travel as much as possible and maybe go overseas to see sites I’ve only seen in pictures and movies until now. I want to eat good food and drink as much Fireball as I can 🙂 I want to spend as much time as I can with my children, creating memories and as much love and support as I can for them. I want to take care of my family as much as they need and as much as I can. I want to dream big and live big. I want to leave the world a little bit better than I found it. And in the end, I want to be who I am, good or bad, while still being decent and having common courtesy and concern for those around me. I refuse to change the core of who I am or what I enjoy in life to meet someone else’s expectations or vision of who I could be with enough finesse and time. This is who I am, take it or leave it and if you leave it that’s Ok with me.

Good Companions For This Part of The Ride

What has kept me going , the essence that has sustained me this whole time has been my beautiful kids Graham and Rory, my family, of which I’m blessed to have a large extended amount, many close friends, baseball and music. Music has always been a large part of my life from an early age. I was fortunate to have parents who exposed me to the classic, good stuff of their times: Elvis, Chuck Berry, Fats Domino, Sam Cooke, Jim Croce, Neil Diamond, The Everley Brothers, Shirley Reeves, Buddy Holly, and on and on. My brothers Kevin and Sean exposed me to newer or different sounds of rock, country, roots and the blues. My parents and brother took me to see concerts from an early age, Neil Diamond on many occasions, ZZ Top, and Bruce Springsteen to name a few. As I’ve grown older, I’ve branched off on my own, listening to a myriad amount of artists and styles and have traveled near and far to see live concerts. Springsteen, Mellencamp, John Prine, Buffet, The Old 97s, Chuck Berry, Steve Earle, Bob Dylan, Willie Nelson, Buddy Guy, etc. Jazz, country, rock, the blues, I don’t care what style, race, color, creed, politics or style of underwear they wear, if they play good music which speaks to me, I’m in and experiencing life as boldly as I can. And because of that, I’v been blessed to collect a wide assortment of friends from around the country. The basic decency and kindness I’ve witnessed first hand is staggering. I’ve never felt more alive than being surrounded by friends and family listening to the same music and giving back to the artists what they give us: sweat, love, joys, fears, laughs and tears.

As we get older, it’s easy to get lost in life with kids, a profession, sports, events, and adult responsibilities. We grow disconnected from people and get sidetracked in our own difficulties. But with some love and concern and support of those around us, and a lot of music, we usually can find our way home again. What was that 4 guys sang long ago, we get by with a little help from our friends? I think I’ll buy the damn concert tickets and take my kids to see Paul McCartney this summer so they can say they saw a Beatle.  I think I’ll go see Jimmy Buffet and the sea of piracy and parrot heads that envelope the crowd. I think I’ll go see some great musicians, playing their hearts out and be one of the fans living life to the fullest. Hopefully, I’ll see some of my friends further on up the road. Hopefully we can climb on that train bound for glory. I’ve you don’t need no tickets, you just get on board.

“I will provide for you
And I’ll stand by your side
You’ll need a good companion
For this part of the ride
Leave behind your sorrows
Let this day be the last
Tomorrow there’ll be sunshine
And all this darkness past”

-Springsteen, Land of Hope and Dreams

Dream Baby Dream: The Music of Roy Orbison and Bruce Springsteen

archive roy orbison 310108

Written by Ryan Hilligoss and Shawn Poole (Expanded version of text used for broadcast on E Street Radio, Sirius/XM channel 20 Thursday April 21 at 5:00pm EST, Friday April 22 at 7:00am EST and Saturday April 23 at 6:00pm EST.)


“Roy made a little town in New Jersey feel as big as the sound of his records. I’ll always remember what he means to me and what he meant to me when I was young and afraid to love.” Bruce Springsteen


Roy Orbison’s Singing For The Lonely

This week we celebrate what would have been the 80th Birthday of the late, great Rock and Roll Hall of Famer Roy Orbison, also known as “the Big O.” Bruce Springsteen’s music has been influenced over the years by many of his musical heroes including Elvis Presley, Chuck Berry, Eddie Floyd, Bob Dylan, Wilson Pickett, Sam Moore and many others, but maybe none more than Roy Orbison. Roy has been described as “the most brilliant white male voice of the 50s and 60s “, the world’s only operatic rockabilly singer, The Caruso of Rock, and Elvis once said of his Sun Record label mate, “Roy Orbison is the best singer in the whole world.”  His voice ranged from baritone to tenor, and music scholars have suggested that he had a three- or four-octave range. During performances, he was known for standing still and solitary and for wearing black clothes and dark sunglasses, which lent an air of mystery to his persona.

Roy Orbison was born April 23, 1936 in Vernon, Texas and grew up mainly in the west Texas oil town of Wink. On Roy’s sixth birthday, his father gave him a guitar. He later recalled that, by the age of seven, “I was finished, you know, for anything else.” As a young boy, Roy was exposed to many musical artists and styles including orchestral arrangements, Tex-Mex, bolero, country western, and Cajun. The classic Jole Blon was one of the first songs he sang in public. Some of his favorite artists included Lefty Frizzell, Bob Wills and The Texas Playboys, Glen Miller, and Montavani. At the age of 8, Orbison had his own weekly radio show. While in high school, Orbison formed The Wink Westerners and played at school dances, radio programs and honky tonks. Roy once saw Elvis Presley and Johnny Cash perform, and Johnny was the one who told Roy to come to Sun Studios and see Sam Phillips about a recording contract, which Roy promptly did and recorded his one hit at Sun Records, “Ooby Dooby”.

Speaking of Cash, in the liner notes of his 1996 album, Unchained, Johnny writes on giving advice. “Don’t ask me for advice. Whenever someone does, I’m reminded of the worst advice I ever gave to anyone. Thank god Roy Orbison ignored it. Roy and I became friends from Day 1. When he came to Memphis from West Texas. I had met him in Odessa where he and the Three Kings did a show on local TV, He was a little discouraged by the lack of progress he was making and asked me what I thought he should do. I said, ‘Change your name and lower your voice. You sing too high and no one will ever remember Orbison.’”

After becoming disappointed with the recording advice of Sam Phillips and the limited publicity of Sun Records, Roy left Sun shortly after Elvis and Johnny Cash did and signed a publishing deal with Acuff-Rose Music and sold one song to the Everly Brothers, “Claudette”. He then attempted to work with RCA but producer Chet Atkins and Orbison never got on the same page and Roy left with little to nothing to show for his efforts. Orbison then moved to Monument Records and under the production of Fred Foster, recorded his great masterpieces of “Uptown”, “Oh Pretty Woman”, “Crying”, “Running Scared” and many more. Frequent Orbison writing partner Joe Meleson said of their writing technique, “When we were writing, we’d fall asleep on the guitars. While writing “Only The Lonely”, we dozed off in my room. We’d stay up real late sometimes, trying to get the mood of the song and they feel of it, the right lyrics. Then we’d play it in the daytime to see if it held up. Our philosophy was, if it sounds good in the broad daylight, think what it’ll sound like when those people are lonely at night.”

Orbison’s recordings had great influence on other artists like Springsteen and on Elvis Presley. In 1960, Roy offered “Only The Lonely” to Elvis who turned it down, probably due to publishing rights issues which he frequently had due to the control of Colonel Parker and RCA’s publishing house. It is reported that when Elvis first heard Roy’s version on the radio, he was blown away and went out and bought boxes of the single and passed them out to friends and family. Elvis then went into the studio shortly thereafter and recorded his version of “O Sole Mio(It’s Now Or Never)” which contains a lot of Orbisonesque vocals inflections and lush orchestral strings in the background.

Bruce and Roy publicity

As the U.S. arena leg of Bruce Springsteen’s The River Tour 2016 opens its final stand, we’ve found the perfect Throwback Thursday item: a River-era 1981 television appearance by Bruce Springsteen discussing the importance and impact of “The Big O’”s music. It’s a very interesting historical snippet, most likely marking the first time that Bruce ever appeared on television elaborating on the significance of one of his major musical influences. Much of what Springsteen touched upon in this ‘81 clip would be included and expanded in his 1987 speech inducting Orbison into the Rock and Roll Hall of Fame. As befitting something associated with Roy Orbison, there’s also an aura of mystery around this clip. As of this writing, we still haven’t been able to determine its exact origin. Was this part of an awards-show’s Orbison-tribute segment? A television special on early rock-and-rollers or on Orbison himself? Or possibly even part of an episode of an ongoing series?  *Update: On 4/21/16 Robert Bader wrote in to “I can solve the mystery of the clip you have up today. Bruce shot this for a Roy Orbison pay-per-view concert broadcast. I think it was after the Rolling Stones’ December 1981 Hampton, Virginia pay-per-view, which was one of the first live concert PPV events, so my guess (without digging through the boxes of VHS tapes in my garage) would be that it was shot in 1981 and broadcast in early 1982. These PPV concerts were regular monthly things in those days. I recall watching the Stones event, and later the Who doing Tommy from Atlantic City, and lots of others. In between the mega-acts like the Who and the Stones they would have stuff like Teddy Pendergrass and Roy Orbison.”



So let’s get this Big O Birthday party started with one of Roy Orbison’s greatest hits, “Only The Lonely”, followed by Bruce Springsteen performing a beautiful acoustic version of “Thunder Road”, the Springsteen song that name-checks both Roy and “Only The Lonely”, taken from the February 26, 2014 Brisbane, New Zealand on the High Hopes tour.











Roy Orbison and Friends

“Thunder Road” was followed by “Dream Baby”, performed by Roy Orbison and Friends, featuring Bruce on harmony vocals and guitar, from A Black and White Night. The Black and White Night special was filmed for Cinemax television in September 1987 at the Coconut Grove Nightclub in Los Angeles and featured Bruce, Elvis Costello, Jackson Browne, Bonnie Raitt, Jennifer Warnes and KD Lang on backing vocals and powered by the rhythm section of Elvis Presley’s TCB band with Ronnie Tutt on drums, Jerry Scheff on bass, Glen Hardin on piano and the world-class James Burton on lead guitar. After the concert, Bruce said, “When I was a kid, his music took me out of my little town. And you don’t always get a chance to sing harmony with Roy Orbison and play guitar next to James Burton. That’s a dream.” Roy was later interviewed about the show and had these kind words to say, “We had a rehearsal and Bruce had obviously taken the chord sheets home and practiced. As we went on stage Bruce said, ‘Should I be nervous?’ I said, ‘No, I’ll take care of that.’ It was terrific to look around and Bruce playing guitar and Elvis Costello doing his bit. I really loved every moment of it. The thing was to see these guys working so hard as musicians, as opposed to being front men. Bruce Springsteen is a solo type of singer. He’s a wonderful person to work with. I was expecting someone like him to be a little difficult, but he was great.” Springsteen has said that when talking to fans and other artists, he is asked more about the Black and White night more so than any other one performance he’s every been involved with.

Bruce with James Burton

“That’s a dream” Roy Orbison and Friends: Black and White Night, l-r, James Burton, Bruce Springsteen and Elvis Costello


No One Sings Like Roy Orbison

Over the years, Bruce has inducted many members into the Rock and Roll Hall of fame including Bob Dylan, Jackson Browne and U2, but I think his favorite may have been in 1987 when he inducted Roy Orbison. On that night, Bruce said about his hero, ““I’d lay in bed at night with just the lights of my stereo on and I’d let Crying, Running Scared, Love Hurts, It’s Over and Only The Lonely fill up my room. Well, some rock and roll reinforces friendship and community, but for me, Roy’s ballads were always best when you were alone and in the dark. And I always remember laying in bed and right at the end of It’s Over, when he hits that note that sounds like the world is going to end. And lay there promising myself that I was never going to go outside again and never talk to another woman. Right about then my needle would slip back to the first cut and I would hear…dud dud dud duh. I carry his records with me when I go on tour today. In 75, we went into the studio to make Born To Run. I wanted to make a record with words like Bob Dylan, that sounded like Phil Spector, but most of all, I wanted to sing like Roy Orbison. Now everybody knows, no one sings like Roy Orbison. So all I want to say is congratulations, thanks for the inspiration, and rrrrrllll mercy.”

In a Rolling Stone interview, Roy was asked what he thought about when he was inducted, “I looked around, looked up into this big room at huge pictures of all the guys who were coming in. And I remember seeing some pictures of guys who weren’t there and couldn’t be there because they were gone. And I got into the spirit of the thing. I was really cool until I had to stand on the side of the stage during Bruce’s speech. He said so many nice things, I didn’t know what in the world to say. But I took the speech from him. He had it written down, and I said, “Can I take this speech?”


Bruce and Roy 1987 HOF

Bruce Springsteen inducts Roy Orbison, “the other man in black,” into the Rock and Roll Hall of Fame, 1987








On Springsteen’s Devils and Dust studio album released in 2005, one track included was “Leah’, the title taken from the Orbison song of the same name. On the acoustic tour that followed, Springsteen often introduced the song with this, ´´Well, we all carry along with us, uh, the seeds of our destruction, it´s kind of the merry part of the human package, you know (chuckles) along with the seeds that allow us to, uh….if we´re fortunate and thoughtful, build things but, uh, that´s kind of a tug-of-war that can go on for a long time (chuckles) this is a song about a guy that just figures out how to come down on the right side of that equation…just barely….this song´s called ´Leah,´ I took the title from a Roy Orbison song….Roy Orbison´s song was about a pearl diver, I´ve been telling the folks that Roy was one of those guys….could write about, could sing about anything, he just had a voice that made everything sound believable, he had this song about the pearl diver, the pearl diver dives into the ocean to get the pearl for a girl (?) a pretty hokey bit of business but he made it so beautiful….and I got to meet him and I got to know him a little bit before he died and I went to his house one afternoon and, uh….(?) ´I got this new song about windsurfing´ ….´Windsurfing, oh´….I didn´t say that but that´s what I was thinking….and, uh, I was thinking ´You can sing about a lot of things, you could certainly sing about surfing….but windsurfing, that´s, that´s, that´s the no-go area, that´s….it can´t be done, that´s all there is to it, I don´t care who you are…..and, uh….you know, and so on his next record came out this, this beautiful song called ´Windsurfer´….and uh, I remember, it, it almost made me wanna windsurf (chuckles) but, uh….you gotta have faith….that´s what this is about too (chuckles) …´´






Crying/Lift Me Up

While the music of Roy Orbison was an important part of Bruce Springsteen’s life starting at an early age, the connection didn’t become close and personal until Bruce inducted Roy into the Rock and Roll Hall of Fame, followed closely by the filming of the Black and White Night special and then becoming personal friends with him after that. Prior to his 52nd birthday, Roy was interviewed and was asked who he would like to have sing “Happy Birthday” to him. “Bruce Springsteen”, he replied. We heard the live event at the top of the show but what most people don’t know is, later that same year, Roy flew to San Francisco on September 23, 1988 to wish Bruce a happy birthday while they were touring behind the Amnesty International event. Roy Orbison passed away on December 6, 1988 at the age of 52. Just a few weeks later, the Rock and Roll Hall of Fame induction ceremony of 1989 was held and Rolling Stone founder Jann Wenner dedicated the night to the memory of Roy Orbison. At the end of the show, during the jam section, Bruce sang a version of Roy’s hit, Crying.  Following are Springsteen’s cover of “Crying”, performed on the Tunnel of Love tour on May 16, 1988 at Madison Square Garden in New York City and Bruce’s beautiful recording of his song “Lift Me Up”, taken from the soundtrack to the movie Limbo and released on The Essential Bruce Springsteen. It was recorded in 1999 and has a very Roy Orbison-esque falsetto vocal and feel to the music.





It’s Over/Breakaway

Probably more than any other major music writer, rock critic Dave Marsh has spoken and written extensively about how many of Roy Orbison’s greatest records sound deeply influenced by the grand tradition of Mexican ballad singing. Dave once got to ask Roy Orbison himself about this influence, and Roy confirmed for Dave that the Mexican influence was a strong one indeed. Roy Orbison’s music helped to spread that Mexican influence to younger listeners and artists across the country and around the world like Jackson Browne and Bruce Springsteen, both of whom performed with Roy on the Black and White Night television special. To demonstrate this influence is Roy’s version of “Yo Tia Amo Maria” followed by Bruce Springsteen and Patti Scialfa covering Jackson Browne’s Mexican-influenced song “Linda Paloma”, followed by Roy’s “It’s Over”.  Lastly, in this segment is Springsteen’s “Breakaway” taken from his Darkness On The Edge of Town era outtakes released as The Promise in 2010. The Orbison influence is unmistakable  from the vocals and phrasing, the structure of the song, the castanets and all the down to the drumbeat, taken directly from “It’s Over”.









What Dreams May Come In The Real World

Thanks for joining us on our Roy Orbison extravaganza as we celebrate Roy’s 80th birthday. After Roy passed away, Bruce was interviewed and had this to say:

“Roy’s music to me, was always very psychological ‘Running Scared,’ ‘Crying,’ ‘It’s Over.’ There was always that strange paradox. Almost always he dealt with some sort of devastating loss that seemed unbearable. And then he had that voice in its very beauty, for me, always resonated with hope.

On the one hand, I realize he died; on the other hand, I think I’ve carried around what he’s done inside of me for so long that in some ways I don’t feel the loss as great as maybe I thought I would. What he’s done has been so alive for me and so consistent in my life for such a long time. Every few year I’d go back and become re-infatuated with those records. I’ve had endless drives with buddies of mine where we would play the records and talk about them.

If you play his records, they don’t sound like oldies records. At the time they were recorded they were tremendously modern. In my earlier records, where I had more of an operatic construction in a lot of the music, it just came directly from the basic idea that a pop song did not have to be two verses, a chorus, a verse, a chorus. That was the Roy Orbison idea.

That sense of longing that he could convey. That endless longing for something. The music was so dark and beautiful. Look at those hits. Just the introductions. The way he would synthesize everything down in those introductions. The introduction to ‘It’s Over:’ ‘Your baby doesn’t love you anymore.’ When he sang that opening line, you knew all you had to know, I used to tease him. I said, ‘Man, if the record stopped right there, people would have gotten their money’s worth.’”



Before Roy passed away in 1988, he was back on top with the album The Travelling Wilburys Volume I recorded with friends Tom Petty, Bob Dylan, Jeff Lynne and George Harrison. His album Mystery Girl released in February 1989 reached the top 5 albums Billboard charts, contained songs written by many of his younger fans including Petty, Bono, Elvis Costello and others. In Ellis Amburn’s biography of Roy entitled Dark Star. Roy stated that he and Bruce worked on the lyrics of one song. However, he did not name the song and there is no credit to Springsteen on the album information so we would be very curious to know if there is a partial recording of an Orbison/Springsteen penned song out in the ether somewhere.

Unfortunately Roy Orbison passed just as his career was rebounding after floundering during the 70s and early 80s, and before he received the recognition he deserved from younger fans and critics. In an interview given to Rolling Stone months before he died, Roy was asked what he wanted his legacy to be and in his own humble manner, simply replied, “I just want to be remembered.” Well, 80 years after he was born and almost thirty years since he died, music fans all over the world still remember Roy Orbison, his beautiful voice, his songs and his dreams. And as long as music is played, people will always be listening to Pretty Woman, Crying, It’s Over, Love Hurts, and Only The Lonely. Thanks Roy for inspiring Bruce and giving us the gift that was your voice and songs and music.

We’d like to close out today’s show with a double-shot featuring one of Roy Orbison’s final recordings, “In The Real World,” followed by Bruce Springsteen’s solo-piano version of his own song entitled “Real World.” Interestingly, Bruce’s song also contains the Orbisonesque phrase “running scared” in its lyrics. There’s a much deeper connection, however, between these two songs than just the lyrical nod and their similarity in titles. Among rock-and-roll’s pioneers, Roy Orbison wrote and sang some of the most adult, psychological songs about love, loss, human relationships and fantasy versus reality. And both Roy’s “In The Real World” and Bruce’s “Real World” are among the best of their songs to continue and extend that tradition. As you’ll also hear, right up until the end, Roy still had that beautiful voice that he shared with anyone willing to listen. His music lives on and continues to have a lasting impact on so many of us here in the real world. Happy Birthday, Big O. Rest in peace.









A Nation of Hopeful Wanderers

“Our ignorance of history causes us to slander our own times.”- Gustav Flaubert



By Ryan Hilligoss, December 16, 2015


In light of the recent rhetoric on immigration, vitriol concerning Islam in general, and the looming election, I would like to address the rise of a dangerous, misguided line of thought now pervading our national discourse, or lack thereof. The recent hate filled spewing of Donald Trump reminded me of a speech a few years ago, given by the modern American poet, Bruce Springsteen, in accepting an award from the Ellis Island Family Heritage Award  in 2010 alongside Dikembe Mutumbo and others for their contributions to American life. The award honors Americans whose families came through the Port of New York and Ellis Island.

“With all the immigrant furor out there, it’s good to remember that we’re a nation of immigrants, of hopeful wanderers. And we cannot know who is coming across our borders today, whose story will add a significant page to the American story. Who will work hard, who will raise a family, whose new blood will strengthen the good fabric holding our nation together.”

“So I am proud to be here today as another hopeful wanderer, a son of Italy, of Ireland, and of Holland- and to wish God’s grace, safe passage, and good fortune to those who are crossing our borders today. And to give thanks to those who have come before, whose journey, courage and sacrifice made me an American.”


Fine words spoken that I wholeheartedly agree with and believe we all should hold dear. As unless your family was here on this continent prior to European settlement, or unless you’re ancestors were brought here against their will, we are all a nation of hopeful wanders. My own family’s history, on the fraternal side, can be traced back to Germany from which the first Hilligoss crossed the Atlantic and entered the country through the Philadelphia immigration office. Further investigation reveals some of our descendants originally resided in France but were driven from their homes due to their involvement with the early Protestant Church. These early family members were part of the exodus resulting from the French Huguenots. I am sure many of you have similar stories in your backgrounds if you cared to look. Many of your families came to this land looking for a better life, religious or political freedom or simply, just a second chance.

What concerns me is the current level of resentment and blind hate leveled at many individuals or groups of immigrants, whether they be Middle Eastern, Latinos, Africans, Polish, or from any other country, religion or ethnicity. Especially gut wrenching is the recent spate of hatred towards Muslims centered around the San Bernardino shootings. It is not surprising that a great majority of the criticism comes from supporters of Donald Trump and the Tea Party. The ideology of the Tea Party brings to mind another xenophobic movement in our nation’s history:The Know Nothing Party.



The Know-Nothing movement was a nativist American political movement during the 1840s and 1850s. It centered on popular fears that the country was being overwhelmed by German and Irish Catholic immigrants, who were often regarded as hostile to Anglo-Saxon Protestant values and controlled by the pope in Rome. Mainly active from 1854 to 1856, it strove to curb immigration and naturalization, though its efforts met with little success. Members were mostly average regarding education and wealth. The term Know Nothing came from the idea that if a member were asked about the activities or thoughts of the group, the member was supposed to reply, “I know nothing.” The movement peaked in the middle of the 1850’s when they won several elections in the northern states. However, the movement quickly disintegrated as the nation moved towards the civil war. How does this relate to modern America?


Many of our fellow citizens feel the country is being overrun with immigrants, whether legal or illegal, whom some believe are taking jobs from legal citizens, using our national or state funds for “free healthcare” or setting up some type of religious fundamental training camp to one day take over the country. To the Know Nothings, the enemy and the root of all their woes were Catholics and other immigrants. Then it was the Chinese. Then it was the Germans during WWI. Then the Japanese during WWII, and on and on down the list including, oh my, that Catholic with the secret cable direct to the Pope, John Kennedy. And now it is Hispanics and Muslims. Why is there always some bogeyman who some feel is responsible for their problems in life? It is dangerous thinking and antithesis to the ideals we as Americans hold dear.



To tie this all together, back to Mr. Springsteen for a moment In 1978, after enduring a struggle for his own artistic freedom with his first manager, Bruce wrote a song called the Promised Land for the Darkness on the Edge of Town album. Whether directly or indirectly, it shared the same title of a song written by one of his, and countless others, musical heroes, Chuck Berry, a man from a poor family living in a segregated St.Louis, Mo. Chuck’s version, written in 1964 and possibly influenced by Martin Luther King’s I Have a Dream speech in 1963, was about a poor southern boy dreaming of a better life in California and struggling to make his way across the country in search of that journey. In the later stage of his career, Elvis Presley, himself a man from a poor southern family, who also drove a truck for Crown Electric before setting the world on fire, recorded Chuck’s song and turned it into one of his last great rock recordings. Elvis Presley and Chuck Berry, in my mind, share the titles of the fathers of rock and roll, one of America’s greatest exports to the world in the 20th century and one of the great unifying forces in modern America life and one that greatly influenced the civil rights movement. Elvis’ first recordings took place in a small Memphis studio called Sun Records which, ironically enough, was situated at 706 Union Ave. We could use a little more unity in our communities, in our states, in our country and across the world today.

The sooner we can all recognize the need for understanding our common problems, discussing them in an intelligent and fair manner and attempting to find some common ground, the sooner we can start living up to the ideals our nation stands for. The ideals that caused so many to risk it all, to make that journey across the water so they could start their hopeful wandering. Oh, I believe in the Promised Land.



The Things We Leave Behind: Sean Two Months On

“The last good time always comes, and when you see the darkness creeping towards you, you hold onto what was bright and good. You hold on for dear life.” Stephen King, Joyland


The Last Good Time

What you see above are the last two photographs ever taken of me and my brother Sean who passed away two months ago. Throughout our lives, we were probably photographed a thousand times at various stages by many different people. Birthday parties, family celebrations, Christmas, family reunions and everyday occurrences. These were taken on September 12th, at a 40th birthday celebration in Farmersville, Illinois. The other people you see are our good friends Mike and Cindy Murphy. I can’t remember now what Sean was talking about, but whatever it was obviously made me laugh and drew in others to listen to the tale.

I found these pictures while sorting through some of his personals in the weeks after he passed, and they took my breath away since I had honestly forgotten they were taken. After looking at them for some time, I was reminded of a line from Kurt Vonnegut’s Slaughterhouse 5, “The memory of the moment and the possibilities inherent in that moment are everlasting.” What was possible in that moment is that Sean and I would find a way to reestablish a deeper connection after having lost each other for some time in the prior years, caused by our mutual stubbornness, political debates gone awry and various disagreements. As kids, we were the closest of friends, spending countless hours, days and years together and creating thousands of moments of inherent possibilities, as childhood provides. As the years passed, things changed for each of us with getting married, having children, careers, and other responsibilities and hobbies.

The last weekend I saw him started Saturday night at the birthday party of one of our father’s good friends Courtney Murphy. Sean and I sat together and ate and talked for a while before he saw someone he had not seen in a few years and who was from a different social circle than everyone else there and they talked for a long while, reconnecting. Before we left, we went to talk to Mike about his upcoming adventure where he would be participating in his first Iron Man competition, including swimming which he is not proficient in. We joked that David Hasselhoff would be waiting on shore to rescue him.

The next day, we met at Rolling Hills golf course for a quick round of 9 holes on a beautiful, sunny, and mild day. It was me, Sean, Kevin, dad, our uncle Rick and Mike Bolling. Except for Kevin who can actually golf, we all played poorly but enjoyed the time and day together telling stories, cracking jokes at each other’s expense and listened to dad pontificate on all matters of history, current events and family. Afterwards, we stopped at McDonald’s for a cool drink and argued over who had won the round. Tempers flared, especially between Sean and Mike over who took more penalty strokes, who lost the most balls and which putts counted. Later that night, me, Sean and our parents shared a meal together before I left for home. As we walked out and before getting into our cars, Sean and I said to each other that we would see each other later. The moment was an example of both of us trying to be better people, to forget all the ill feelings over the last few years and to make a new beginning. One of the many things I’ve learned since his passing is that it is easy to be hurt by people’s actions and words which in turn makes you want to avoid those people and the ensuing opportunity for more disagreements. But in the end, it’s not worth the lost time and lost moments and we need to find a way to be more kind and understanding and loving to each other. I’ve learned to try to forgive and forget and remember what is truly important in life. Regret can sometimes be the only thing we hold onto as we go through life and that is a heavy thing to carry.


Hilligoss 3 at Buddy Guy's Legends 2015

The Hilligoss 3, along with Bill Murray, at Buddy Guy’s Legends, Chicago, Il 2015



The Dash

Back in 1998, we lost our fraternal uncle Ronald Edwin Hilligoss who died of a heart attack while walking through Lambert International Airport in St.Louis en route to returning to Phoenix, Az after he had attended his class reunion in Arcola, Il. At his funeral, one of the speakers read the poem, The Dash, and it struck a chord with Sean and he spoke of it often. I think he learned a thing or two from it and tried to live his dash the best he could. I think we can all learn a thing or two if we remember during trying times that the special dash between our birth and death only lasts a little while.


The Dash
by Linda Ellis copyright 1996

​I read of a man who stood to speak
at the funeral of a friend.
He referred to the dates on the tombstone
from the beginning…to the end.

He noted that first came the date of birth
and spoke the following date with tears,
but he said what mattered most of all
was the dash between those years.

For that dash represents all the time
that they spent alive on earth.
And now only those who loved them
know what that little line is worth.

For it matters not, how much we own,
the cars…the house…the cash.
What matters is how we live and love
and how we spend our dash.

So, think about this long and hard.
Are there things you’d like to change?
For you never know how much time is left
that can still be rearranged.

If we could just slow down enough
to consider what’s true and real
and always try to understand
​the way other people feel.

And be less quick to anger
and show appreciation more
and love the people in our lives
like we’ve never loved before. 

If we treat each other with respect
and more often wear a smile,
remembering that this special dash
might only last a little while.

​So, when your eulogy is being read,
with your life’s actions to rehash…
would you be proud of the things they say
about how you spent YOUR dash?

Sean and Rory, Godfrey IL 2009


All You Got Is Lifetime: Go

Since Sean passed, I’ve learned and often times just been reminded of obvious truths that I’ve lost sight of while getting caught up in the everyday tasks of living my life. Here are a few of them:The world is a beautiful place, even in the darkest of times, if only we have the time and patience and vision to stop and look around. Just like Babe Ruth said, swing big with everything you have. Hit big or miss big. Live as big as you can. We’re only here once so you might as well give it your best shot. Take care of yourselves while also taking care of each other. What else are we here for? If you love someone, let them know. You never know when or if you will see them again. If you see wrongs around you, take action and try to right them. Be careful with your words, they might be the last you speak or hear. In the immortal words of musician Warren Zevon who was given a terminal cancer diagnosis and was asked how the news had changed his perspective, enjoy every sandwich.

Another large lesson I’ve learned and hope to pass on to anyone reading this and willing to listen and take it to heart concerns our personal affairs. I know it’s a difficult topic since death is not something many of us want to think about or talk about, but whether you are 25, 45, 75 or 90, it’s there waiting for all of us and you never know when something might happen. Get your personal wishes in order including funeral arrangements, financials, wills, etc. The process can be fairly simple if you chose to handle on your own and can still be fairly simple if you see an attorney. It may cost some money, it may make you uncomfortable at the time and may force you to make some tough decisions, but your family and friends left behind to carry on will thank you. Trust me, I know from personal experience.



We will find strength in what remains behind

To friends and family near and wide. The Robert Hilligoss family thanks everyone for all the support and kindness that has been given to us during our time of tragedy. For all of the phone calls, messages, food, time spent, condolences and distances travelled. We lost our son and brother and friend, and we mourn him and grieve but we will move forward with Sean in our hearts. After all the physical, worldly possessions are gone, all that is left are our friends and family, our souls and memories. We are only on this earth for a brief time so please, be kind to one another,be loving, be grateful for the time we have and take care of yourselves while also taking care of each other. Grace, mercy and forgiveness can help a man walk tall. So walk tall, walk on.

Thank you for reading.




For My Brother Robert Sean Hilligoss: Fly on Brother, Fly On

Sean at wedding

By Ryan Hilligoss, Eulogy presented at Sean’s funeral September 28, 2015

I would like to open with a poem by William Wordsworth.

 Though nothing can bring back the hour
Of splendor in the grass, of glory in the flower
We will grieve not, rather find
Strength in what remains behind
Thanks to the human heart by which we live
Thanks to its tenderness, its joys and fears,
To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears

William Wordsworth, Ode on Intimations on Immortality.

In his book Walden, Henry David Thoreau wrote, “If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.” Thoreau was writing about whether we as a person are destined to conform to the norms and values of the society around us, or whether we blaze our own path through life in our own way. As we all know, Sean was unconventional and non-traditional in every which way. If you look at life as a concert on the stage, not only did Sean march to a different drummer, he heard a stage full of 100 drummers each in their own style, that only he could hear, much to our own puzzlement and bewilderment. He heard the driving back beat of Chuck Berry and Elvis Presley’s rock and roll. He heard the Chicago shuffle of the blues in Buddy Guy and Stevie Ray Vaughn. He heard the freeform jazz rhythms of Miles Davis and John Coltrane. And he heard the Texas swing of his friend Dale Watson. And to all these, Sean marched to his own beat, in his own way. And usually that way was his way or the highway with him tearing down the road on some mission, with us standing on the road’s shoulder scratching our heads on what just happened as we watched his taillights disappear down the road thinking, oh that’s just Sean, he’ll be back to pick me up soon, won’t he? Sean….hey Sean……He’s coming back to get me right?

Sean with Dale Watson, his favorite country and Americana artist

Sean with Dale Watson, his favorite country and Americana artist

A few things about Sean you may or may not know. When we were kids, our grandfather Barr had colorful nicknames for each of us. Kevin was Tevin, I was Barski and Sean was called Shagnasty.

L-r: Tevin, Shagnasty, Barski and Hubert Barr

L-r: Tevin, Shagnasty, Barski and Hubert Barr

When he was diagnosed with diabetes at the age of 3, he didn’t understand, nor could he and all he heard the doctor talk about was the word sugar. With the Sean laying in his hospital bed, the doctor said he would only live to be 25 and a big tear rolled down his cheek, knowing what this meant for him even at a very young age. After the doctor left the room, Sean asked my mom if it was because he ate too many Hostess Ding Dongs.

Sean black and white

His first car was a yellow convertible 1972 Ford Mustang which he quickly damaged by blowing the engine while he may or may not have been out racing in the streets.

While playing Little League, he was playing catch and started to day dream while looking off into the blue sky, promptly took a ball right into his eye for which he got a tremendous black eye, quit that team and never played baseball again.

The Hilligoss Wrecking Crew: Ryan, Sean, Erin, Kevin and Joel

The Hilligoss Wrecking Crew: Ryan, Sean, Erin, Kevin and Joel

We all worked at our parent’s Brown’s Chicken and during his very rebellious days, took exception to some orders from our father, quit on the spot and took a job at Central Hardware for a few years while he cooled off.

He had a good friend named Brian Sharp who passed away from an accident, Sean was devastated and spoke often of him throughout his life.

Brian Sharp

Brian Sharp

When he was about 12, he broke our mom’s brand new sun recliner and promptly fixed it with masking tape and said, “Oh, she’ll never notice.” Boy was he surprised when she got home and tried to lay down.

Around 1990, he adopted a German Shepherd/Malamute which he and I promptly named Spanky and took care of together while we lived at home.

Sean and Spanky

Sean and Spanky

Sean took me to see Joe Cocker and Stevie Ray Vaughn at the Fox Theater in August of 1990 which was Stevie’s second to last show before passing away in a helicopter crash.

Ryan's wedding

He was a collection of contradictions. For someone who was a germaphobe and did not like his food to be messed with, he loved nothing more than to mess with other people’s food.

His most common complaint was, “How come no one told me, I wasn’t invited,” which was ironic since he was famous for making plans and not telling anyone.
I’ve only been talking for a few minutes at this point, but if he were here, he would be embarrassed with all this attention and would tell me to put a sock in it, get it together and get back to business.

When we were all kids living at home, we spent all our time together playing whiffle ball with the neighborhood gang, riding bikes, and just generally tormenting each other. During the snowy days of winter, we would go sledding for hours and hours until all of our layers were soaked, go back home and dry off and then promptly go back out again until we got in trouble for being out too late. As Kevin got older, Sean and I were left to our own devices and our favorite activity was to go off walking in the woods behind our house. Like the true explorers we were, we would walk off into the unknown wilds of Godfrey, walking along a creek that runs behind our neighborhood and all the way over behind the Godfrey water treatment facility and points beyond. Each time we would go out, we would go further and further, pushing the boundaries of our endurance, always looking ahead to what would be up around the next bend in the trail. We may have stayed out too late, often returning as darkness fell, but we always made it home.

Sean and Ryan, Godfrey, Il 1980

Sean and Ryan, Godfrey, Il 1980

In the summer, we would pitch a tent in the backyard and camp out under the stars. We would talk about things, laugh, share our deepest fears and highest hopes, and try to solve some of the mysteries of life as best we could in our young minds. The highlight of each of these sleep outs was once the lights were off in the house and mom and dad went to bed, Sean and I would slip out of the tent and go on adventures around the neighborhood and around Gilson Brown, walking and scurrying around under the cover of darkness, never causing any harm, just out playing as kids do, living out parts of a movie. Fast forward 30 years to last weekend. Sean took Audrey and Anna Lynn to the Apple Fest and afterwards came back to our parent’s house. Dad drug out our old tent from the garage and set it up in the front yard so the girls could play in it. They got into it for a few minutes and then wanted to get out but Sean decided to crawl into the tent with them and they wrestled and tickled each other and laughed and carried on for a long time. He loved his girls with all his heart and tried to pass down the good things from his own childhood. As we move from childhood to adulthood and take on new roles in life with careers and family, it sometimes is easy to get lost amidst daily life and lose track of what is important, but with a little help from our families and friends, we usually can find our way home again.

Graham Ronald Hilligoss with his Uncle Sean, 2008.

Graham Ronald Hilligoss with his Uncle Sean, 2008.

As we go through life, we collect a wide assortment of human souls around us, whether they be by blood or friendship, and once they are gone from us, they can never be replaced, no matter how hard we might try. Sean was many things in life to many people including a son, brother, nephew, uncle and most importantly, a father, just to name a few, but what I will miss most is my friend. So instead of saying goodbye, I will just say, I will see you further on up the road my friend.

Robert Sean Hilligoss with his girls Audrey and Annalynn, 2015

Robert Sean Hilligoss with his girls Audrey and Annalynn, 2015

I would like to close out with this from Walt Whitman’s Leaves of Grass:

I depart as air…

I bequeath myself to the dirt to grow from the grass I love,

If you want to see me again, look for me under your bootsoles

You will hardly know who I am or what I mean,

But I shall bring good health to you nevertheless

Failing to fetch me at first, keep encouraged,

Missing me one place, search another

I stop somewhere, waiting for you.

Dad with Sean balloon

Godspeed Seanie

Fly on brother, fly on

Fly on brother, fly on

Songs Played at his funeral, selected by brothers Kevin and Ryan

Somewhere Over The Rainbow, Israel Kamakawiwo’Ole

Pilgrim, Steve Earle

Amazing Grace, Elvis Presely

In The Sweet By and By, Johnny Cash

In The Garden, Elvis Presley

How Great Thou Art, Elvis Presley

I’ll Fly Away, Jason D Williams

Blood Brothers, Bruce Springsteen

KLH44 At Fifty: Walk Tall My Friend, Walk On

Like spirits in the night, all night. Ryan, Robert and Kevin attend Bruce Springsteen concert, Wrigley Field, Chicago, September 2012.

Like spirits in the night, all night. Ryan, Robert and Kevin attend Bruce Springsteen concert, Wrigley Field, Chicago, September 2012.

“Happiness is a journey, not a destination. for a long time it seemed to me that life was about to begin – real life. but there was always some obstacle in the way, something to be gotten through first, some unfinished business, time still to be served, a debt to be paid. at last it dawned on me that these obstacles were my life. this perspective has helped me to see there is no way to happiness. happiness is the way. so treasure every moment you have and remember that time waits for no one.” Souza

By Ryan Hilligoss, September 1, 2015

This date is a red-letter day in famous birthdays including boxing great Rocky Marciano, country musician Conway Twitty, and actress/comedian Lily Tomlin who once said, “The trouble with the rat race is that even if you win, you’re still a rat.” Also born on this day in Springfield, Illinois in 1965 was my brother, Kevin Lee Hilligoss. I don’t think he’ll be upset with me for writing this for the world to see since I think he subscribes to Satchel Paige’s wisdom on growing older, “Age is a case of mind over matter. If you don’t mind then it don’t matter.” In order to get a clear understanding of the situation on our relationship as brothers, I need to do give you a little background and take you back to the beginning.

Robert Lee and Kevin Lee Hilligoss, Divernon, Illinois 1965

Robert Lee and Kevin Lee Hilligoss, Divernon, Illinois 1965

OK that’s a little too far back for me to explain since I wasn’t born until much, much later. Let’s try this again.

You better slow that Mustang down Kevin Lee. 1825 Bertman Avenue, Springfield, Il

You better slow that Mustang down Kevin Lee. 1825 Bertman Avenue, Springfield, Il

Even though I know that driveway very well, that’s still too far back for me but we’re getting there.

The Three Stooges visit Eastern Illinois University, the Harvard of Coles County, Illinois

The Three Stooges visit Eastern Illinois University, the Harvard of Coles County, Illinois

Almost there, but you get the budding picture.

 Butch Cassidy was looking at this picture when he asked Sundance the famous question,

Butch Cassidy was looking at this picture when he asked Sundance the famous question, “Who are those guys?”

Ok, this is just right. This is Kevin and our neighbors Joe and Damon Vogt messing around at our house in Godfrey after Kevin got off from a shift at the world-famous Alton Brown’s Chicken, notice the yellow shirt and tan corduroys that served as our collective uniform. If I close my eyes and think back I can still smell a faint glimmer of fried chicken, mushrooms and liver that in the 1970s and 1980s passed as low-fat. Many of my earliest childhood memories centered on my brothers Kevin and Sean and the collective gang of neighborhood and nearby friends like Scott Voumard, George Siampos and John Deal that terrorized me as a youngster. I can’t blame them since many of those memories include them doing various activities such as playing whiffle ball in the street, riding bicycles, shooting fireworks and me trying to tag along much to their dismay and irritation. While looking back on it now, many people might think they were cruel and inhumane :), they are moments in time that stick out to me as favorites from childhood. A few of their crimes and misdemeanors will now be enumerated.


In the front yard of our childhood home is a giant Sugar Gum tree that each year leafs out and provides plenty of shade but also produces an ungodly amount of gum balls that sprout during the summer into hard, green balls with pointed prongs which later in the year turn brown and fall to the ground which we then have to rake by the thousands for weeks on end until they are all gone. On a random summer evening, I was turned into a human carnival game involving said gum balls and the end of our driveway in what some might call the human duck shoot. While Kevin collected plenty of gum balls to be used as ammunition, he explained the rules of the game to unsuspecting, 6-year-old me. “OK. Now you go to the end of the driveway and walk back and forth. Here is the fun part. I’m going to throw these gum balls at you and if I hit you, you say “ding” really loud and then turn the other way and keep walking.” After about 10 minutes of this “game” and being pegged several times, I started to wonder what the hell kind of game this was and quickly retreated to my bedroom to inspect my wounds and plot my revenge.

You’ll Have Nothing and Like It!!

The subdivision we grew up in sat on Illinois  Route 100 which was and remains a very busy, main thoroughfare in town. As a youngster, I was forbidden by my mother to cross the road to gain access to the bike path that led to a convenience store 1/2 mile down the road or to my friend’s subdivision very close by. Knowing this, one day Kevin and the gang thought they would push my 6-7 year old buttons. Kevin and Co got  on their bikes and told me to follow them for a ride. Being much older, bigger, stronger and more handsome than little old me, they were able to bike quickly from one spot to another while I pedaled furiously on my red, banana seat bike complete with red flames. After what seemed like a lifetime, we reached the top of the big hill that led out of our subdivision. Much to my disappointment and consternation, I was told they were heading off to Six Flags and unfortunately even though they didn’t like it, rules are rules and I couldn’t cross the street without mom or dad present. While this statement now is understood to be completely preposterous since Six Flags amusement park is near Eureka, Mo, a good 60 miles from Godfrey, my feeble, stupid and completely naive young mind really thought they were going to ride their Schwinn’s off into the sunset and go enjoy the Screaming Eagle roller coaster, Log Flume and countless other thrills. With tears in my eyes, I was left to ponder this great travesty while they rode down to Handy Pantry for a soda and candy, of which I got none. Sniff, sniff.

Is that all you got George? ....yep

Is that all you got George? ….yep

Hey Ryan, come here I want to tell you a secret.

Even though there was violence and blood involved, this is my personal favorite. One beautiful, hot, sticky and humid summer afternoon, Cordell Court was hot and heavy with serious whiffle ball action. Being too dumb to realize a six-year-old who couldn’t run or throw would add nothing of value to either team, I repeatedly asked to play or bat but was told to go away. After watching from the curb for a while, I decided to go into the house and thought it would be funny to lock the screen door as a form of retribution. While watching Looney Tunes on the living room set, I heard the door handle rattle and Kevin tell me to unlock the door because he had to get ready for work at the restaurant. Still licking my wounds, I ignored this for a few minutes from the safety of the couch much to his chagrin. After I heard his irritation start to rise by the tone in his voice which repeatedly said, “Open this god damned door”,  I thought it would be even funnier to go over to the door and taunt him a little by acting like I unlatched the door and then telling him to come in. For some reason this didn’t seem to make him any happier and after a few ploys, he said, “Hey Ryan, come over by the screen, I want to tell you a secret,” Based on my description of my naiveté above, you know where this is going. I soon had my face plastered against the screen door with thumbs in both ears and fingers waving back and forth while uttering great words of wisdom, the usual nanny nanny boo boo. At that point, he had had enough and channeling his inner Muhammad Ali, reared back and gave me his best straight jab that soon had me laying on my back with blood spilling from my nose and puzzlement on my face. Needless to say, his fists did the talking and after regaining consciousness, I graciously unlocked the door and welcomed him in to our lovely abode.

Straight out of central casting for The Newhart Show, Larry and his brother Darryl and his other brother Darryl walking the mean streets of Old Town

Straight out of central casting for The Newhart Show, Larry and his brother Darryl and his other brother Darryl walking the mean streets of Old Town

I only kid about these moments because we can look back on them now and they all “seem” funny. These are what we call Terms of Endearment in our family. These were just a few of our many adventures as kids that also included a phantom ice cream truck bell and me running from one house in the neighborhood to another, mom’s new patio furniture being broken and us geniuses using scotch tape for temporary repairs (oh, she’ll never notice), and a broken garage window caused by an errant Frisbee toss( I have no idea how that happened, must have been a rabid Blue Jay). There were also moments of great hilarity, at least for the three of us, focusing on Sunday night dinner at home which was the one time of the week we all sat down together for a meal. A nice, quiet moment inevitably turned into outbursts of “Mom, he’s looking at me!!!”, me being duped into giving Kevin “five” which resulted in my hand slapping his dinner plate into a pile of warm ketchup, and other complete misbehavior until our dad grew enraged and retreated to his man cave upstairs much to our glee. If you asked him, I’m not sure dad would think these moments were as funny as we knew them to be at the time.

Like many other siblings, as the youngest, I looked up to Kevin and Sean and tried to follow in their footsteps while making my way as the years passed. Being much older, I repeat…much older, than Sean and I, he was the cool brother with his driver’s license and a yellow 72′ Ford Mustang, license plate KLH 44 or powder gray Duster. With those wheels, we cruised the streets listening to Springsteen on the tape deck sing about Hungry Hearts and Glory Days. He introduced us to rock concerts, somehow magically talking my mom into letting him take Sean and I to the Checkerdome in St.Louis to see Springsteen and ZZ Top. Later, the venues changed and expanded to include many concerts including Jimmy Buffet, Buddy Guy, Chuck Berry and Billy Joel (“Hey, these are great seats” said the people sitting in the second to last row atop Busch Stadium)


I wanna be a cowboy baby. Little Bighorn, Montana

Some of the best times we’ve had over the years have centered on road trips we’ve taken to points east, west, north and south including Phoenix, Hawaii, Bahamas, Washington DC, Gettysburg battlefield, Monticello, Devil’s Tower in Wyoming, Little Bighorn Battlefield in Montana, the gates of Graceland and Sun Studios in Memphis.

Kevin Lee Hilligoss playing the guitar like he's ringing a bell, University City, St.Louis, Mo

Johnny B Goode. Kevin Lee Hilligoss playing the guitar like he’s ringing a bell, University City, St.Louis, Mo

We’ve spent a lot of time together, traveled many, many roads, watched a lot of baseball games and listened to a lot of good music together and these are some of the lessons I’ve learned over the years courtesy of Bruce, Buffet, Buddy and John:

-Hard times come and hard times go, hard times come and hard times go just to come again. Bring on your wrecking ball and I’ll take the hits, dust myself off and keep going

-On through the houses of the dead past those fallen in their tracks

Always movin’ ahead and never lookin’ back
Now I don’t know how I feel, I don’t know how I feel tonight
If I’ve fallen ‘neath the wheel, if I’ve lost or I’ve gained sight

But the stars are burnin’ bright like some mistery uncovered
I’ll keep movin’ through the dark with you in my heart
My blood brother

-We are alive, we stand shoulder shoulder and heart to heart

-All you need is just a few friends, just a few friends

-Some never fade away and some crash and burn
Some make the world go round, others watch it turn
Still it’s all a mystery, this place we call the world
Most are fine as oysters while some become pearls

-I’ve been around a while, I know wrong from right
And since a long time ago, Things been always black and white
Just like you can’t judge a book by the cover
We all gotta be careful, How we treat one another underneath we’re all just the same

-Be careful in what you believe in there’s plenty to get you confused
And in this land called paradise you must walk in many men’s shoes
Bigotry and hatred are enemies to us all
Grace, mercy and forgiveness will help a man walk tall, So walk tall, walk on, walk tall through this world

As Souza said above, there is no way to happiness, happiness is the way. Keep on walking brother and show us the way. Walk tall my friend, walk on.

Kevin Lee walking along the Little Bighorn, Montana.

Kevin Lee walking along the Little Bighorn, Montana.

Hardcore Troubadours: The Music of Bruce Springsteen and Steve Earle

The Last of the Hardcore Troubadours, Steve Earle and Bruce Springsteen

The Last of the Hardcore Troubadours, Steve Earle and Bruce Springsteen

By Ryan Hilligoss, January 15, 2015

And now he’s the last of the all night, do right
Stand beneath your window ’til daylight
He’s the last of the hard-core troubadours
Baby, what you waitin’ for

He’s the last of the all night, do right
Hey Rosalita won’t you come out tonight
He’s the last of the hard-core troubadours, Steve Earle Hardcore Troubadour, 1996

(Expanded and revised text from special programming  on Sirius/XM E Street Radio, Channel 20, Be The Boss segment. To be aired Thursday 1/15 5:00pm EST, Friday 1/16 9:00am EST, and Saturday 1/17 6:00pm EST.)

This is a special post dedicated to the musical connections between Bruce Springsteen and Steve Earle who celebrates his 60th birthday on January 17. For those of you who don’t know, Steve Earle is a songwriter, singer, musician, recording artist, political activist, poet, actor and author. Earle is also the host of the Sirius/XM show Steve Earle: Hardcore Troubadour Radio that airs on Outlaw Radio, channel 60 on Saturdays at 9:00pm est and well worth the listen as each week, Earle picks a theme and plays records from a wide array of artists, genres and styles that reflect his eclectic tastes in music that have inspired and influenced his own writings and recordings over the years. As we move well into the 21st Century, Bruce Springsteen and Steve Earle continue to make some of the best music of their careers.Together, their music runs on parallel steel rails and highways that stretch from the ‘New York Islands to the Redwood Forest.’

In the last fifteen years, Springsteen has released the albums, High Hopes, Wrecking Ball, Working  On A Dream, Magic, We Shall Overcome: The Seeger Sessions, Devils and Dust and The Rising. Many of these rank in my own personal top 10 Springsteen albums of all time, and Wrecking Ball, The Rising and Magic rank in my top 5. Conversely, Earle has released The Low Highway, I’ll Never Get Out of This World Alive, Townes, Washington Square Serenade, The Revolution Starts Now,Transcendental Blues, El Corazon, and The Mountain. All these albums combined stand as one hell of a hitting streak for two recording artists in regards to the quality of songwriting, range of styles, arrangements, topics, soul and spirit covered on these albums.

Bruce Springsteen and Steve Earle, Carnegie Hall, April 2007

Bruce Springsteen and Steve Earle, Carnegie Hall, April 2007

While E Street regulars know that Bruce Springsteen was born and raised in Freehold, New Jersey, one thing they may not know is he grew up in a section of town called ‘Texas’ that included a lot of people from Texas and other southern states who moved to the north to find jobs at the many factories in the area. Due to his surroundings, Springsteen developed a slightly southern accent which you can still hear at times in his normal speech and in his singing from time to time, most clearly to me on the song Wrecking Ball. Springsteen’s musical roots include the music of Motown and Stax studios, Elvis Presley, Chuck Berry, The Crystals and Shirelles, and many more including artists in country and punk music.

Steve Earle was raised in and around San Antonio, Texas and his musical roots lean more towards singer songwriters like Kris Kristofferson, Guy Clark, Jerry Jeff Walker and his friend and mentor, Townes Van Zandt. My friend Jeff Calaway from Texas has heard that Earle and his family were so proud of their roots that when Steve Earle was born, the family lived in another state temporarily and they had taken soil from home with them so the first dirt he ever stepped on was native Texan soil. While Earle definitely has strong roots in country, bluegrass and folk music, he definitely can rock with the best of them, often times backed by his band the Dukes. I believe Steve Earle to be one of two of the best songwriters in American music right now and I’ll stand on my computer desk in my black running shoes and say it for all the world to hear!!!!!!  For those of you that don’t know, I’m paraphrasing a famous quote where Steve said that Townes Van Zandt is the best songwriter in the world and he would stand on Bob Dylan’s coffee table in his boots for all the world to hear. While Townes may be Earle’s biggest influence, Springsteen has played a huge role, directly and more obliquely through inspiration, in the career of Steve Earle.


Pancho and Lefty: Steve Earle and Townes Van Zandt


After struggling in Nashville as a songwriter and musician for over 10 years, Earle finally recorded and released his first full length album in 1986, Guitar Town. And Bruce Springsteen had two direct impacts on the recording and success of that album. First, Earle has stated that he went to see Bruce Springsteen and The E Street band in 1985 in Murphysborough, Tennessee and it was a revelation for him personally and professionally. He said it was obvious that Bruce had written Born In The USA to open the album which would open the concerts on that tour and he wanted to do the same with his album. Here are Earle’s own words, “I mean, I was gonna make a record that had sort of a theme that ran from beginning to end that was designed to put on the turntable and listen to the whole thing.  I saw that tour two weeks before I started writing the songs and there’s no way in the world that wasn’t gonna influence this record.  I mean, he opened with “Born In the USA. It’s one of the best shows I’ve ever seen to this day and it influenced me as a performer for the rest of my career. I’ve always been a very unapologetic Bruce Springsteen fan.”

The second connection between Springsteen and the success of Guitar Town is the fact that a few months after the album was released, Springsteen walked into a record store and bought  a cassette copy of the album at the suggestion of Garry Tallent who knew a few guys in Steve’s band. Someone saw Springsteen buy the album, the news got printed in Billboard magazine, and the album sold out the existing 30,000 copies at the time and became a hit. Earle has stated that Springsteen’s endorsement of his record at the time greatly helped pave the way to a long, successful career.

Everybody’s Trying To Be My Baby Now

Steve Earle and Bruce Springsteen, February 6, 1998. Sea Bright, New Jersey

Steve Earle and Bruce Springsteen, February 6, 1998. Sea Bright, New Jersey


My good friend Shawn Poole has mentioned to me that much like Springsteen who has stated he wrote Fire as a demo for Elvis Presley, Steve Earle wrote a song entitled Mustang Wine which was rumored to have been submitted to RCA as a demo for a Presley recording session around 1975. While we haven’t been able to confirm the accuracy of this, what we do know is that Elvis’ fellow Sun Record alumn Carl Perkins, who was a major early rock and roll influence, did record Mustang Wine in 1977. On February 6, 1998 at the Tradewinds in Sea Bright, New Jersey, Springsteen joined Steve Earle live on stage, only a few weeks after Carl Perkins had passed away. They played several songs together including Guitar Town, I Ain’t Ever Satisfied, Dead Flowers and  a cover of Everybody’s Trying To Be My Baby, a big hit for Perkins in the early Sun Record days.

A Land of Hopeful Wanderers

Over the years, I’ve walked into a lot of record stores and bought all the records of both of these great artists. One of the things that has struck me is their uncanny ability to write songs and record albums that speak to the times around us and what is going on in our nation and the larger world around us in a timely, prescient manner. Several of their albums have been released within a relatively close period of time and have had common themes, and some even have very common songs. One topic that has been important to both of them is our nation’s history of immigrants and the role they have played in the successes and failures of our nation. In 2010, Springsteen received the Ellis Island Family Heritage Award award which honors Americans whose families came through the Port of New York and Ellis Island and said, “With all the immigrant furor out there, it’s good to remember that we’re a nation of immigrants, of hopeful wanderers. And we cannot know who is coming across our borders today, whose story will add a significant page to the American story. Who will work hard, who will raise a family, whose new blood will strengthen the good fabric holding our nation together.”

In 2006 as part of the Seeger Sessions project, Springsteen wrote a new song American Land and in 2007, Earle released Washington Square Serenade which includes City of Immigrants. In Earle’s song, he sings, ” All of us are immigrants, every daughter,every son. River flows out and sea rolls in, washing away nearly all of my sins, living in a city of immigrants.” American Land was inspired by a poem written by immigrant steel worker Andrew Kovaly set to music by Pete Seeger and he writes of the nation’s ideals and hopes of the masses, “There’s diamonds in the sidewalk, there’s gutters lined in song. Dear I hear the beer flows through the faucets all night long. There’s treasure for the taking for any hard working man who will make his home in the American Land.” I’d like to dedicate this next set to fellow E Street Radio listener and frequent caller Patrick from Chicago who immigrated to America in 1985 from Ireland looking for a better life for himself and his family.

One Of These Days I’m Gonna Lay This Hammer Down


Some hard travellin' troubadours: Pete Seeger and Woody Guthrie

Some hard travellin’ troubadours: Pete Seeger and Woody Guthrie


Pete Seeger, musician, folk music archivist, social activist, is one artist that both Springsteen and Earle have been inspired by, and each recorded and performed with him before he passed away last year. In 2012, both artists recorded with Seeger on his album A More Perfect Union, Springsteen on God’s Counting On You, God’s Counting On Me and Earle on This Old Man Revisited. The connections between them all goes back to the music of Woody Guthrie who chronicled the lives of those suffering around him during the Great Depression in the 1930s, the echoes of which have carried throughout the country to this day. Pete Seeger sang and recorded with Woody and picked up Woody’s spirit of activism and carried on his musical legacy. In his classic If I Had A Hammer, Pete sings about hammering out love between brothers and sisters. He sings about ringing his bell in the morning and evening. He sings about singing his song all over the land. And he sings about having a hammer of justice, a bell of freedom and a song of love. Bruce Springsteen and Steve Earle have been asking the same questions as those earlier artists, and in their observations and recordings, they point out to their fans and listeners the problems they see around us and in essence, ask us what we are willing or able to try to help solve them. It’s like in Death To My Hometown when Springsteen sings “now get yourself a song to sing and sing until you’re done, yeah sing it hard and sing it well.” What all of these artists ask us to do is find our song whatever that may be, not in song or music necessarily but in whatever creative ways we are capable of, and to take action and help each other get through the hard times. These next songs best exemplify the work and music that continues the spirit of Woody Guthrie and Pete Seeger and countless others who have used music to push the national conversation along whether on social justice, homelessness, hunger, crime and punishment, government or war. Springsteen recorded Woody Guthrie’s Hobo’s Lullabye for the album Give Us Your Poor and includes background vocals and banjo by Seeger.

I’d like to dedicate these songs to my grandfathers Robert Samuel Hilligoss and Hubert Barr, one who served in the USMC during WWII and the other who served in the Civilian Conservation Corps during the darkest days of the Great Depression. Both were men who came from hard backgrounds but who served their country in a time of need, worked hard their whole live to give their kids and families a better life and carried themselves with pride and dignity no matter the circumstances.

Steve Earle and Pete Seeger

Steve Earle and Pete Seeger

Burning Down My Hometown

As their careers have continued, Springsteen and Earle have expanded their musical styles and songwriting topics to include matters of local, national, and international levels. Back in 1999, Earle recorded his excellent bluegrass album, The Mountain, with the Del McCoury Band. Six years later, after being asked to participate in a Pete Seeger tribute album, Springsteen formed a band that became the Seeger Sessions Band which he used to record many traditional folk and American classics from the Seeger/American catalog. While Springsteen was recording and releasing The Rising and Magic that spoke to our post 9/11 times including wars overseas and the costs to the troops and families back home as well as the lives of the people in those countries, Earle was recording and releasing the albums Jerusalem, The Revolution Starts Now, Washington Square Serenade and I’ll Never Get Out of This World Alive which covered many of the same topics in an ardent tone. Springsteen’s release in 2012 of Wrecking Ball chronicled what had happened to the country since the economic meltdown of 2008 with its impact on hundreds of millions of citizens, their families, lives and bank accounts. In 2013,  Earle released the Low Highway which also spoke power to the state of the country’s citizens and their plight to make ends meet and for those citizens who remain ‘Invisible.’ In Springsteen’s song Death To My Hometown, his protagonist warns his friends, coworkers and neighbors that the vultures are here to pick their bones and beseeches them to do something about it, personified by the sound of a gun being loaded followed by a hearty….Hey!!!! In Earle’s song Burning It Down, his protagonist sits in his pickup truck in his hometown thinking about burning down the local WalMart using a homemade bomb because “things will never be the same around here.” Both characters feel overwhelmed by mysterious, outside forces that don’t have individual names and faces, but they want to take action and regain some semblance of control over their lives.

People lining up for something to eat, and the ghosts of America watching me along the low highway

People lining up for something to eat, and the ghosts of America watching me along the low highway


There’s A Dirty Wind Blowing

In 2004, Earle released The Revolution Starts Now and in 2007, Springsteen released Magic.Both albums play as a scorched earth take on the first GWB administration, the invasion of Afghanistan and Iraq, and the treatment of the soldiers and the citizens of those countries affected by the decisions of our nation’s “leaders”. On Magic, songs including Long Walk Home, Devil’s Arcade and Last To Die are essential listening for understanding the mindset and psychology of what was happening at the time. One line from Long Walk Home has been ingrained in my mind from the first time I heard it which may be one of his greatest of all time, “That flag flying over the courthouse, means certain things are set in stone/Who we are, what we’ll do and what we won’t.” The rage and condemnation are openly at a boil throughout both albums. While varying in styles, tempos and lyrical content, they both hold a magnifying glass to the horrors of what is happening and what has been lost along the way including our constitutional freedoms, lives, and spirits. Earle writes in the liner notes to The Revolution Starts Now, “The Constitution of the United States of America is a REVOLUTIONARY document in every sense of the word. It was designed to evolve, to live, and to breathe like the people that it governs. It is, ingeniously, and perhaps conversely, resilient enough to change with the times in order to meet the challenges of its third century and rigid enough to preserve the ideals that inspired its original articles and amendments. As long as we are willing to put in the work required to defend and nurture this remarkable invention of our forefathers, then I believe with all my heart that it will continue to thrive for generations to come. Without our active participation, however, the future is far from certain. For without the lifeblood of the human spirit even the greatest documents produced by humankind are only words on paper and parchment, destined to yellow and crack and eventually crumble to dust.”




We All Walk The Long Road: Dead Man Walking Soundtrack

Swing Low, swing low and carry me home

Swing Low, swing low and carry me home


Another interesting connection between Springsteen and Earle is that both artists were asked to write songs for the movie Dead Man Walking, directed by Tim Robbins and starring Susan Sarandon and Sean Penn and tackled the hard topics of class, violence, murder, and capital punishment. Springsteen wrote and recorded Dead Man Walkin’ and Earle wrote and recorded the superlative Ellis Unit One. Another artist who recorded for the soundtrack was Johnny Cash, who heavily influenced Bruce’s writings during The River and Nebraska sessions. Johnny wrote In Your Mind for the soundtrack and Steve Earle who had been away from recording for a period of time while he worked his way through some dark days, came into the studio with Johnny and played rhythm guitar and got to duplicate Luther Perkins signature chicka boom guitar pattern on the song. Earle has said that when he walked into the studio, Johnny Cash was sitting at a table waiting for him with a picnic basket and instead of trying to talk to him about his recent troubles, Johnny simply reached for the basket and asked, “Hey Steve, you want some tenderloin and biscuits June made this morning?” Earle said he will be forever grateful to Johnny Cash and that moment in which Johnny didn’t push the issue a lot of other people wanted to talk about, and just let it play it out with his normal grace and humility.

Is There Anybody Out There, Deliver Me From Nowhere


Are you tuning in and turning on?

Are you tuning in and turning on?


I want to close this out with a cover of State Trooper performed by Earle from Austin City Limits in which he introduces the song by saying, “This one was written by a pretty good hillbilly singer from New Jersey named Bruce Springsteen.”  On Magic’s Radio Nowhere, Springsteen sings of trying to find his way home but only hearing a drone bouncing off a satellite that is crushing the last long American night and wondering if there is anyone alive out there. From Washington Square Serenade, Earle sings on his song Satellite Radio, about wondering is there anyone out there…one two three…on the satellite radio and at the galaxy’s end where the stars burn bright are you tunin’ in and turnin’ on, and he begs some greater power to listen to him kindle the spark and answer his prayer. His lyrics reminded me a lot of the driver in State Trooper with his thoughts of radio’s jammed up with talk show stations, ‘It’s just talk, talk, talk till you lose your patience. Somebody out there, listen to my last prayer. Hi ho silver-o deliver me from nowhere.’ Earle’s version makes me think this is what State Trooper might have sounded like if Springsteen had recorded an electric, studio version with the E Street Band instead of the acoustic version we have on the album. We fans have heard of there being “electric Nebraska” recordings out there, and unless Springsteen digs deeeeeep into the vaults, we’ll never know the answer to that. But I do know that all of you are out there listening on the Satellite Radio…so on…. one…two….three, tune in and turn it up. Happy birthday Steve Earle, thank you for your music, artistry and voice. We’ll be out here waiting for your new album Terraplane set for release in a few months and maybe with any luck a new Springsteen album. Keep on rocking down Copperhead Road you hardcore troubadour.

State Trooper cover/Satellite Radio/Radio Nowhere




Bruce Springsteen and Steve Earle, Carnegie Hall, April 5, 2007

Bruce Springsteen and Steve Earle, Carnegie Hall, April 5, 2007


New Jersey/Tennessee Blues

In 1989, after the Tunnel of Love and the Amnesty International tours were over, Bruce Springsteen decided to make some changes in his professional and private life and try another set of possibilities. He called the members of the E Street Band to let them know he was heading in a different direction without them. Then he moved from his beloved New Jersey, the area that had anchored his life and was the setting for many of his albums, characters and songs, and moved west. As we moved into the 21st Century,Steve Earle moved away from Nashville, his Guitar Town, where he had recorded and written for many years, and moved to New York City. In the liner notes of Washington Square Serenade, Earle writes, “As long as there’s been an East and a West, Easterners have been heading West in search of fortune and fame and Westerners have periodically appeared at the gates and reported that it is, indeed, big out there! Of course, most of those who took Horace Greeley at his word never returned and not everyone who came to the city stuck it out but one man’s frontier is, after all, another man’s limit and it takes all kinds and all manner of comings and goings to make a village. Now that I have finally arrived in my own personal city of dreams and walked streets with names that I’ve heard sung all my life, I still don’t have any answers.” Both artists wrote songs saying goodbye to their pasts and each reference their past lives and songs. In Going Cali, Springsteen writes, “Like his folks did back in 69, he crossed over at Needles and heard the Promised Land on the line.” In Tennessee Blues, Earle says goodbye to Guitar Town, both the town and his first album.

Nebraska: The scariest album ever!!!

Again, according to my friend Jeff Calaway, Steve Earle was teaching as a guest lecturer at a university, played Springsteen’s album Nebraska for the class and then described it as the scariest album he’s ever heard. He also referred to Bruce as a “pretty good hillbilly from New Jersey.”

I’ll Never Get Out of This World Alive



In addition to all of his other talents, Steve Earle is one of the finest writers working today. In 2002, Earle published a collection of short stories entitle Doghouse Roses. In 2012, he published a novel, I’ll Never Get Out of This World Alive which is written from the perspective of Doc Ebersol, the doctor blamed for the death of country music legend Hank Williams. It’s incredibly well written with lots of great characters and descriptions of San Antonio, highly recommended. His memoir I Can’t Remember If We Said Goodbye is to be published on June 30, 2015 and I’ll be first in line to get a copy.

One of my favorite passages from I’ll Never Get Out of This World Alive:

“Lonely’s a temporary condition, a cloud that blocks out the sun for a spell and then makes the sunshine seem even brighter after it travels along. Like when you’re far away from home and you miss the people you love and it seems like you’re never going to see them again. But you will, and you do, and then you’re not lonely anymore. Lonesome’s a whole other thing. Incurable, Terminal. A hole in your heart you could drive a semi truck though. So big and so deep that no amount of money or whiskey or dope in the whole goddamn world can fill it up because you dug it yourself, and you’re digging it still, one lie, one disappointment, one broken promise at a time.”